Birds of War

In 2016, reporter Janay contacts Syrian cameraman Habak for footage from besieged Aleppo. Their professional relationship becomes something deeper as Janay discovers the extraordinary young man documenting Syria’s war.

Year: 2026

Directors: Janay Boulos and Abd Alkader Habak 

Producers: Janay Boulos, Abd Alkader Habak, Sonja Henrici 

Production Companies: Sonja Henrici Creates 

Screen Scotland support: The film accessed £95,000 through Screen Scotland’s Film Development and Production Fund 


Synopsis

The love story of a London-based Lebanese journalist and a Syrian activist and cameraman as told through 13 years of personal archives across revolutions, war, and exile.

“Can you find a story and film it?”

“Yes, but who are you? All I know is that you’re from the BBC.”

Although they wouldn’t realize it yet, this text exchange begins the love story of filmmakers Janay Boulos and Abd Alkader Habak. With international journalists banned during the Syrian civil war, outlets like the BBC must rely on activists on the ground to provide footage. Trading text messages and voice notes between London and Aleppo, Boulos tasks Habak to capture editorially approved stories, but, gradually, theirs shifts from a working relationship to something more.

Immersive and emotional, Birds of War traces their parallel lives — Boulos becoming disenchanted with journalism, Habak facing the inevitable fall of Aleppo — as they grow closer.

As both Syria and Boulos’ homeland of Lebanon undergo dramatic developments, the couple reflects on the sacrifices made because of politics and war, but also on what they’ve gained.

Two people sitting at a wooden table, smiling at the camera. One person is holding a cigarette, and a cup of black coffee sits in front of them along with cigarette packs and a lighter. They are seated outdoors on a metal chair, with a structural backdrop.


More information

Premiere: Birds of War will have its World Premiere at Sundance Film Festival 2026 in the World Cinema Documentary Competition. 

Image credits: Stills courtesy of Sonja Henrici